It's another hot one
The jewish Museum ceebrates art and Jewish culture. We are delighted by the exhibition celebrating florine stettheimer
Here is Liberty from 1918
Portrait of my Sister 1923
Portrait of Myself 1923
The German Jewish writer Walter Benjamin
(1892–1940), one of the most important philosophers and cultural critics
of the twentieth century, began The Arcades Project
in 1927 as a short piece about Paris's nineteenth-century
iron-and-glass vaulted shopping passages. With their labyrinthine
architecture and surrealistic juxtapositions of disparate objects and
people, past and present, the arcades offered an ideal prism through
which to examine the era’s capitalist metropolis and the phenomenon of
modernity that had its origins there. Benjamin worked extensively on his
manuscript, which grew into a sprawling compendium of quotations,
reflections, and notes. When he was forced to flee Paris to escape Nazi
persecution, he entrusted it to his friend Georges Bataille. Some years
after Benjamin’s untimely death, the text was discovered and published.
The Arcades: Contemporary Art and Walter Benjamin explores The Arcades Project and its ongoing relevance through works of contemporary art representing the subjects of each of the book's thirty-six chapters.
Transposing Benjamin’s arcades to the galleries of the Museum, the exhibition invites the visitor to take on the role of the flâneur, the archetypal leisured city dweller who strolled through Paris at ease, coolly attentive and open to happenstance.
Read more about Walter hereThe Arcades: Contemporary Art and Walter Benjamin explores The Arcades Project and its ongoing relevance through works of contemporary art representing the subjects of each of the book's thirty-six chapters.
Transposing Benjamin’s arcades to the galleries of the Museum, the exhibition invites the visitor to take on the role of the flâneur, the archetypal leisured city dweller who strolled through Paris at ease, coolly attentive and open to happenstance.






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